Exodus and Dance

This project is a large-scale sculptural restoration, reviving a significant Brooklyn mural for the New York City Housing Authority (NYCHA). Created in 1941 by renowned Harlem Renaissance artist Richmond Barthé, Exodus and Dance is an 8-foot by 80-foot frieze that is a testament to Barthé’s mastery in depicting movement, spirituality, and the historical narratives of African-American communities.



Barthé, one of the most influential African-American sculptors of the 20th century, was known for his strikingly realistic depictions of religious themes and historical figures. His work remains a cornerstone of Harlem’s artistic legacy, making this conservation effort essential to both cultural preservation and community identity.



The restoration was undertaken as part of a broader initiative led by NYCHA, the Public Housing Community Fund, and the Mellon Foundation, aimed at strengthening the physical and social fabric of public housing communities. The project involved the careful removal of the frieze from its original location at Kingsborough Houses in Brooklyn, its transportation to conservation studios, and an extensive process of cleaning, repairing, and structural stabilization. Once meticulously restored, the frieze was reinstalled at its historic site, ensuring its continued presence as a source of pride and inspiration.



This restoration not only safeguards a vital piece of Harlem’s artistic heritage but also reaffirms the role of public art in shaping community identity, bridging generations, and celebrating the enduring contributions of African-American artists to the built environment.



Exodus and Dance has been identified by the NY State Historic Preservation Office and placed on the National Register for Historic Art Pieces on NYCHA land. Although Barthé never publicly revealed his homosexuality, much of his artwork explores the political, racial, and homoerotic significance of the Black male nude. Exodus and Dance has been recognized as a NYC LGBT Historic Site.